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Pink Floyd’s “Echoes” Provides a Soundtrack for the Final Scene of Kubrick’s 2001: A Space Odyssey When Pink Floyd Tried to Make an Album with Household Objects: Hear Two Surviving Tracks Made with Wine Glasses & Rubber Bands
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The “Lost” Pink Floyd Soundtrack for Michelangelo Antonioni’s Only American Film, Zabriskie Point (1970) No matter how long you’ve followed the band over their 40-plus year career, you’re likely to find some surprises here. 17 hours total of Pink Floyd’s quirky pop, space-y, proggy experimentalism, masterful psych-rock soundscapes, climactic, politically-charged concept albums, and the denouement of their final three albums. While you read about each of the band’s officially-released, 165 songs, you can listen to them as well in the Spotify playlist above, which not only includes every studio release, but every live album as well. Longtime lovers of the band and newcomers alike will find the commentary enlightening and informative (and he does include those film scores and gives Barrett his due). There are all sorts of lines that run through the various versions of Pink Floyd, connecting their strange, youthful, unpredictable early work to the highly-polished, and much less interesting, mature late recordings.Īnd yet, Wyman’s summary is a useful categorization nonetheless, a succinct explanation for how Pink Floyd “may be the only rock band that can credibly be compared to both the Beatles and Spinal Tap.” His massive undertaking- ranking every Pink Floyd song from worst to best-deserves a thorough read. Pink Floyd’s first frontman may have taken his oddball sensibility with him when he left the band-and brought it to his captivatingly weird solo work-but his presence remained with them for years afterward and haunts one of their finest achievements, 1975’s Wish You Were Here. This quick survey also underestimates the importance of Syd Barrett. It leaves out a misbegotten, but notable excursion into ballet (!), and experiments with found sound recordings in the late-60s. It’s easy to find fault with this schematic outline of Pink Floyd’s career-which leaves out their detours into film soundtracks with More, Obscured by Clouds, and an aborted score for Michelangelo Antonioni’s film Zabriskie Point. Finally, the fifth and final iteration, critically snubbed but commercially successful, left the disaffected Waters to his solo work and went on with Gilmour at the helm to record A Momentary Lapse of Reason, The Division Bell, and twenty years later, the final Pink Floyd album, the mostly instrumental Endless River, made in 2014 after keyboardist Richard Wright’s death and drawing on recordings from The Division Bell sessions.